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Belief's musical roots lie in the soil of the era that birthed him: the early/mid'90s underground hip-hop renaissance of his hometown, Los Angeles, CA. He was only 13 when the music of groups like The Pharcyde, Freestyle Fellowship and Hieroglyphics spurred him to start DJing and making beats, a mere couple of years before he found himself in high school alongside Eligh and Murs of West Coast underground trailblazers Living Legends. Many bedroom songs and a couple of crews later, he moved to New York City at age 17 to attend NYU and officially pursue a career in music. "I wanted my sound to incorporate the New York experience," he says nine years later of his relocation to the Mecca of urban music. From there, his story is all in his production credits: "Hater's Anthem" from NY femcee Jean Grae 's 2003 Bootleg Of The Bootleg EP and "Not Like Me" from her '05 album This Week ; "Gods Work" and "Brotherly Love" from Murs' '03 End Of The Beginning album; "Street Reppin" from Bronx freestyle king C-Rayz Walz's '05 album Year Of The Beast ; "Believe" and "Stay Up" from Cannibal Ox member Vordul Mega's Revolution Of Yung Havoks , to name just a few. His years spent honing his sound in the parallel rap universes of LA and NYC shoulder to shoulder with some of the most promising talents of the current generation of underground emcees is evident in his beats: equal parts West and East-influenced, underground by nature - yet doused in a distinctly mainstream sensibility. "I envision myself infiltrating and influencing the mainstream music market," Belief says. "I want hits. Hopefully I can help to inspire millions with meaningful music."
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